the ever-prolific seven davis jr has been thoroughly generous in sharing out his smoky, sensual strain of deep house in recent years, with the dust still settling from his last album. now he s back with a full tilt five track ep that hints at a new direction to come, embracing the momentum and minimalism of techno without losing the distinctive bump that his music just can t do without. -no mercy- is a dark, kinetic affair while -lipstick- gets tougher, funkier and rawer. -super model- is a sleazy jam that revolves around a strutting beat and a nasty bassline, with some of davis jr s cool and deadly vocals rolling over the top. -on the catwalk- has a rugged dance mania feel to the groove, and then -to be continued- spells out that this new, ruffneck direction for seven davis jr has got a future

you know when the dj drops something so special you’re mentally forced to ask for the track and the reply you get is ”its my own unreleased track”. that’s how i (art alfie) stumbled upon all three of these. about ten years ago i witnessed van rivers & the subliminal kid (peder mannerfelt) turn berghain upside-down with the dark techno epos ”mars attacks”. around the same time i had the luck to see nils westerlund boogle minds with the broken beat psychedelics of ”suspiria” at a stockholm open air. last but not least, a couple of years ago i heard ”thicker than blood” for the first time, like the sirens in greek mythology, it lured people on to the dance floor at stockholms classic summer hot spot f12. i’ve been playing these tracks ever since and im beyond happy i get to share them with the world at this point. //art alfie

desroi debuts on avian. shifted s avian label returns to fore with a heady, five track offering from german producer, desroi. in keeping with the label s finely tuned aesthetic concerns, the music draws from a reduced palette – keeping the colours muted & the tone driven and direct, focusing instead on drawing out pleasing textures & subtle rhythmic anomalies via intricate use of delay and reverb, to arrive at a sweet spot between dance-floor potency & the more cerebral posits of the techno genre. tethered at the base by cavernous low end, heady drum machine programming drives the work – often married with a single warping synth motif shifting about the sonic periphery, modulated carefully across the course of the recording s run time to create both moments of heads down introspection & outright hysteria. like much of the best work on the label, the music has a diy quality that belies its complexity, but at the same time lends to its undoubted effectiveness. desroi s ability to harness the full force of such a limited collection of elements is testament to the producer s skill as an artist within the genre, creating a powerful sense of cohesion on his avian debut.

finnitus 7-inch time! finnitus edits #3 is yet another serving of incredibly dodgy bargain bin tracks trimmed into submission and ready for the floor. side a s klabb & babb is a space disco heater, while side b s eroding in africa is your standard below-par bony m-esque afro flirt, made into something you can dance to.

etre inspirescu is back! his dance single is almost 4 years since last one. two first class minimalistic house music.

nice price deal !!! lowmoneymusiclove is happy to welcome french producer seuil to the lmml family.  

and in other news...those bad ass rodents are back with another batch of cut n paste unclassics for the discerning disc jockeys out there. packed full of sleaze and with max potential for body popping moves, the only bombs these bushy-tailed bad boys drop are on the dance floor.

the mysterious love drop continues his homage to the classic raw sounds of days gone by as he drops an anthemic and pounding slice of house music for home taping. with his trademark moody grooves and heavy delays he builds a vibe which is guaranteed to set any dance floor on fire. keeping it raw and proper with a generous pinch of soul and more than a touch of badass, love drop just moved things up to the next level. less is definitely more as he destroys the floor. on the flip, dicky trisco plays to the emotional strength of the original and delivers a highly polished heads-down, dubbed out version for the club. while rising star of the scene dan shake raises the tempo and treats us to a raw and funky workout to complete a very fine package indeed. free your mind and love drop will follo

salsoul records have always stayed one step ahead of the game. since the labels inception in the early 1970 s the imprint s focus has been firmly fixed on presenting the most cutting edge dance music sounds and in the process the label has been instrumental in creating legends and shaping the landscape of contemporary club culture throughout the original disco era and beyond. it comes as no surprise that many of todays labels and artists cite salsoul as a fundamental influence on them and their output. the labels music has been endlessly rediscovered, sampled, re-edited and appreciated over and over again, your favourite dj s and selectors undoubtedly reach for tracks from the catalogue each time they play. this is why salsoul continue to collaborate with the best labels and artists out there today.

speed for lovers release debut album hot yoga emoji on society records / ubishi recordings originally from sheffield, liverpool & the forest of dean, the three lovers met in the network of little mesters music studios on john street in sheffield. initially engineering, producing and playing on each other s projects, they subsequently teamed up to form speed for lovers in 2010. the past eight years have been spent wearing out rave trainers, building studios in their attics and sheds, geeking out with sound on sound articles and faffing with tech. with two members who came and stayed and one who couldn t leave, hot yoga emoji is the band s ode to sheffield. field recordings of late nights out and early stumblings home link tracks together and place their moments of creation in the city. spurred on by sheffield s kabal nights and trips to the electric chair in mcr, hot yoga emoji mixes live drums and bass guitar with pocket sound generators, old synths and vocals to create an album of irresistible live dance music.! single vinyl lp

gorje and izhevski return to all day i dream. finally! our exotic step brothers have their own elegant and distinctive sound that carefully balances musical emotion with signature beats. equally at home on the dance floor as well as your lounge floor in your spotify playlist. nikolai has been a long time fan of peter broderick and was given the opportunity to work with him last year. he (and dimitri) took peter s vocals and created something quite beautiful, both in ambient form as well as the 4:4 version. ta da! their new ep was well on it s way to completion. seeing as i m never satisfied though i insisted they stayed up late for another week and the result was l eternite. harking back to one of their first releases (calinerie) on the label this subtle melodic bomb will be heard as the sun sets or the sun rises across the universe this summer. if you re not already aware please check out the boys label too. shanti radio is a label we at all day i dream love.

two brand new, dance floor tested reworks by label boss and classic music company recording artist eli escobar.

linea beat 5 the fifth collection in our dance-floor only series is the aptly named -dance-. arriving in two different versions for those times when you need alternative vibes on the dance-floor, music is backed up by a slamming, jack-time remix from passarani, a.k.a one half of tiger & woods.

capofortuna is a duo made up of legendary bologna-based house maestro, dj rame and multi-instrumentalist ricky cardelli from rimini. perhaps our housiest release to date. crush on you is an ep of particularly sophisticated forward thinking dance music. with glorious live instrumentation and joyous arrangements this is the kind of record that is going to slip right into many dj s collections. don t sleep on this one.

pennyroyal continues with a slamming ep from zeki, the new alias for a familiar and prolific uk producer. four cuts of ruffian grime / techno hybrids clocking in at 140bpm. built to enjoy or deploy loud at your favourite dance.

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

volume 4 -sound of the summer ep - from tropical disco edits crew brings in the summertime with 4 expertly crafted cuts, each perfectly tailored for the discerning disco dance floor. tropical disco edits are pleased to present their latest member of the family, moodena who premieres on the label with his summer groove -strawberry jam- a jazzy disco fusion with tinges of george benson, sure to sweeten up any dance floor. tropical disco edits boss sartorial comes in with two jazz funk rollers in -feel it- and -electric lane-, with both tracks having his signature sound that just makes you wont to shake your booty! finally, -got you the floor- sees simon kennedy team up with sartorial to produce a classic groovin tropical disco track - a real favourite with in the tropical disco family! dj support: eli soul clap, aaron razor n tape, chez damier, marshall jefferson, faze action, dj spen, get down edits

celebrating 15 years of one of dance music s most recognisable and truly international independent labels. avoiding a retrospective reflection of the label s classic tracks, achievements and catalogue, toolroom are proud to present an album of all new exclusive material written by some of house music s freshest talent alongside established genre favourites. this limited edition vinyl handpicks four of the highlight tracks from label boss mark knight, format:b, dj pp, danny howard and weiss, offering a seamless journey through the genres toolroom have become world famous for, house, tech house & techno.

new imprint for music lovers. deep grooves for minimal dance floors. vinyl only

mr. eagles & butterflies got no others than mano le tough and solomun to remix his memorable last dance. furthermore, these two mixes come on a very specially designed colored vinyl.

another of vakula s editions. there s no point explaining just listen and dance.

after a couple of sparking, floor-oriented releases by uk luminary henry wu and head honcho pablo valentino, mcde recordings continues its explorations of dance music spectrum with a brand new offering, right on time for the summer. . now batting is nomadic beatsmith hugo lx, who develops a new chapter in his multi-faceted discography with this 5 track opus, ranging from classic house to disco flavored jams, detouring through the ambiant and jazz fields, always with a certain eastern vibe to it. with great help from his regular contributors on bass, keys and horns, he delivers a soundscape that aims to be vibrant, powerful, yet sensual and most of all, prove to be timeless

fractions eschew biographical identity in their debut release for berlin s fleisch records. a potent mix of ebm, techno, breakbeat, electro, acid and horror- soundtrack provides only a title, control , s&m leaning artwork that seems to reference dali s in voluptas mors and a one-line manifesto: make dead dance.

a1: david goldberg revealed his exceptional talent releasing an extraordinaire debut ep on svs records. “m4l-uv” is a euphoric breakbeat track that won’t fail to make you dance.
a2: kit curse made his mark within the dnb scene during the last years having released on labels like cyclone, onset audio or shadowforces. “weird solace master” is a broken ritual that reveals the producers experimental side.
b1: “zezbo version” by skee mask is a superb dnb trip leading you through an industrial shadow world. the producer upholds his reputation as an exceptional artist all along the way.
b2: top shotta runs the uk bass orientated label ruffhouse. “m-performance riddim” somehow sounds like a race and a fight both at the same time.
b3: the style of bean is a postmodern blend of ambient, idm and dubstep. “tears” showcases this eclecticism within just three minutes.

veteran french producer maelstrom joins the ce crew with 3 tracks of high quality dance floor electro including a remix from ce head sync 24.

the next release on crosstown rebels sees made by pete come together once again with vocalist jem cooke. returning to damian lazarus’ impressive imprint, made by pete invites diynamic label boss solomun and gruuv founders audiojack to take on remix duties. the original cut of so long opens up the ep. you are at once immersed in its trance-inducing elements, intensified by cooke’s powerfully sensual vocals. solomun shapes the title track into a grittier, industrial version whilst audiojack’s leans on the more percussive side, with ambient sounds and a prominent vocal hook. closing the ep is modify saturn, a track graced by tribal drums that beckon you to succumb to the groove. made by pete has been carving a name for himself in the dance music scene over the past thirteen years. he’s had releases on respected labels such as dftd, crosstown rebels and kerri chandler’s madtech records. his music has been supported by some of the scene’s most respected taste-makers from pete tong to joris voorn and eats everything to groove armada. jem cooke has lent her stunning vocal talent to some major musical players including cher, zero 7, kate simko, martin garrix and hot since 82.

biotic is our first release on allfeelings music, a label focused on emotive dance music. all releases will be available exclusively on vinyl. af01 is the first self release from london based dj and producer allfeelings. this is a 2 track dj tool release very reminiscent of detroit techno. you can hear crisp and warm sounds alongside jazz and funk influenced rhythms. the a side soundtracks a big city during rush hour while the b side pulls you in with deep synths and percussion. this release has the support from mark broom.
300 copies / vinyl only

mint condition - a reissue label focused on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years!

queeste emerges with the nocturnal sounds of haron s wandelaar, an album exploring his long-term interest in music s talent for inducing and affecting dreams, successfully turning listening into an act of transport, leaving you in the midst of falling asleep, at a junction of dislocation, hazily arriving in a liminal world. in wandelaar we hear haron s playful reaction against the confines of dance music, gathering energy from his estrangement from the scene and using it as a means to reorder and interrogate sound. the modest piano takes centre stage, allowing each solo note to becoming fertile and full, suspended and considered, guided by the principles of minimal composers such as john cage and ryuichi sakamoto. haron delicately translates sparse chords into a cinematic narrative of ascension, conjuring up a moony landscape, grey and desolate from afar, intricately detailed on approach. haron s wandelaar is available 6 july 2018 on lp. the vinyl release includes an art print by fallon does, who is also responsible for the graphic design of wandelaar. all tracks written and produced by haron aumaj, mastered by wouter for brandenburg mastering. words by jo kali.

schatzi returns with its fourth chapter! as with those that preceded it, this one s a vinyl-only 12- of... indeterminate provenance. behind every schatzi ditty is a dash of homespun crate-digging mischief, a dollop of crunchy, swinging drum loops, and a determination to inject into the tropes of today the carefree heart and funky soul that made the dance music of decades past feel so alive. a royal flush of raw, untamed disco that desperately wants off this slab of wax and onto fogged-out dance floors and into strobe-lit basements. vinyl-only hand-stamped release. get it before it s gone

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. what better to kick off this series of essentials than dj pierre s 1991 wild pitch mix of the mighty photon inc s anthemic generate power , a record that still smashes dance-floors across the globe to this very day, a true house classic that is the perfect opener for this new series. backed by george morel s equally influential and funky 1993 proto-uk garage groover let s groove you can see the quality control is set to high. back to back, strictly classics, nothing more, nothing less! remastered with love by optimal mastering, bristol from original master sources. made in conjunction with strictly rhythm 2018.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. the second instalment of this essential repress series sees the amazing bass tone from sole fusion (aka louie vega) take up side a. it s a truly deep slice of that nyc grit that works on every level, the rough with the smooth, trademark vega-isms and those drums! a sure-shot. on the flip is yet another gem - hardrive s just believe which is certainly a knowing nod back to the disco days delivered with gusto by louie vega and the maestro tony humphries. do not sleep on this, over 10 mins of that funk!

carioca dj and producer joutro mundo digs deep and delivers a stunning collection of reworks on this first release on his own label, outra. influenced by the melodic sounds of the amazonian jungle and the explosive carnival rhythms of his hometown rio, you can feel his devotion to the diverse music of brazil, which he now shares with you on the dance floor. valeu!

the second outing from lisbon based percebes mu&#769,,sica comes from ka§par, a respected portuguese author who consistently releases on many revered deeper dance music imprints. the “epicurismo” ep is a fresh and well humored record, conceived as an homage to the greek philosopher epicurus, who widely professed a personal mantra for happiness.

500 hand-sprayed, recycled sleeve copies (each individual) - first come first served... field of dreams hark back to early 90 s cross-pollination / indie-dance sounds with a heavyweight proto prog banger, already causing much mayhem.
mind fair and sir andrew weatherall are drafted in to flesh out the beast within, and do so with aplomb...

seriously dope 4 track disco edits ep. first up is jaz. the south carolina native is at the top of the disco edits game, with records out on universal cave, rotating souls, and passport to paradise. “the end�” is a 90bpm monster. easily suited for lovers of balearic, one of those rare slow tracks that can really rock a dance floor. the patchouli brothers are up and comers from toronto, with a 12” on basic fingers, “cheat, lie, kill, die�” is a mid tempo stomper. a versatile track easily blended with disco or house, and a hook so catchy, crowds are singing along before the end of the track. will martin opens up the b-side with pure fire. “rock me again” is the transformation of a 2 minute james brown production into 7 and a half minutes of dance floor ecstasy. martin is known for lo-fi house, with releases on 2mr, dolly, argot, and supply records. studebaker hawk closes us out with the b-boy jam, “say africa”. breaks for days, and even a heavy guitar solo. this track is for lovers of deep disco, classic hip hop, and afrobeat. limited run so don t sleep on this one!

the 2017 remix and rebuild of one of drum and bass biggest dance floor anthems ever. babylon. dj future has delivered an absolute tearing remake of this all time legendary track and brought the original classic into the 21st century. with andy c, randall, uncle duggs, ray keith and many more playing it across the world at many of the major festivals the demand has never been stronger for the juice to start flowing again. for the original heads that loved the original you are in for a treat as bladreunner has pieced the original masterpiece together and rebuilt it piece by piece and it sounds stunning. an absolutely essential piece of drum and bass history revisited.

the second release on werk is signed by j. manuel. the young producer has been polishing his sound ever since he first started experimenting with electronic music gear as a child. his commitment to following his own instincts rather than conforming to what was being played around him resulted in a very different aesthetic to the one commonly associated with berlin techno. drive fiction ep stands proof of that. all 3 tracks push boundaries in their own style, that being perhaps the strongest link between them. the title track -drive fiction- presents old-school leads over broken beats and electro inspired pads while the a2 -falling in sine circulation- is arguably the most dance floor oriented track, with a pounding 4×4 kick drum and an alarming 3/4 sine wave slaying the high frequencies. closing the ep is b-side -softer-, a melodic track with long, undulating pads that is nonetheless driven by a powerful rave-inspired beat. with its second release, werk comes to confirm the path it seeks to travel through both parties and releases: that of the sounds less rigid. gritty, wild and presenting a wide range of rhythmic patterns, drive fiction ep is a defying record. challenge accepted?

giant swan are debuting on mannequin records through the death of the machines serie, the dancefloor/experimental oriented side of the label, dedicated to new artists. robin stewart & harry wright team up to create an acerbic marriage of energised, aggressive dance music, quaking bass and hypnotic electronic noise. across a table of machines and pedals, incorporating abused guitar and liberal vocal manipulation, giant swan create a cross-breed of hypnotic bass, industrial percussion and disorientating energy delivered with telepathic intricacy.

ltd to 300 , gen ludd are glasgow-based rich mcmaster (golden teacher, modern institute) and tom marshallsay, both of whom are a big part of the extended rubadub family. their music perfectly embodies the rubadub ethos of music for heads and feet. after months of negotiations with our minister of finance hillington west snr, tafknagl (that artists formerly known as general ludd) return with four precise cuts of pure rhythm and motion. these tracks are a message to the ramona-toting, gymnasium-powered international dance deejay. please be bold enough to play them... you’ll make the world a better place. we’ll give you free wavs too

we are happy to introduce a new release and a new project from ben vedren and chez damier, a new collaboration that has been in the making for some time now. side aa1 presents a unique sound in its vibe, kind of a minimal track. the french discussion/vocal in the background adds another dimension. you don t need to speak the language to understand what s going on, but you must wonder at some point: do i understand french or is it the music that made me understand them? an -organ- sound intervenes towards the end bringing power and light to the hall. it s eleven minutes of pure music! while -aa- is composed of two different remixes of a different track, -berlin nights in paris- it can probably be called the house anthem. it starts strong with some acid sound and is filled with a lot of wonderful elements. like a gourmet meal, you wonder if the track shouldn t have been at least three times longer to satisfy the gluttony of the listen. the techno remixes of the track. it s a perfect example of detroit meets house. techno track can, with no doubt, feed and drive the dance floor. no need for more than five words to describe it – it s a serious techno track.

balance records is happy to release -paul cut- while no stranger to the french scene paul is one of the up and coming dj/producers out of paris. this release finds it roots in jazz (chicago /paris?). a1 starts with some heavy beats, which later combined with the other elements can bring the madness to any dance floor. side , a2 brings another kind of madness which shakes you from inside like heated particles with its jazzy vibes. b2 heats you in a subtly way, when you expecting it the least with background sounds inspired from jazz. and once they suck you in you start to be driven by them, like being stuck in the waves. b1 will draw anyone inner energy with its piano. it s a great track to lead to the end of the night or even closing. for the love birds and the loners on the dance floor. b2 heats you in a subtly way when you expecting it the least with background sounds borrowed from jazz. and once they suck you in you start to be driven by them, like being stuck in the waves.

additional 12- with previously unreleased material from pablos eye. six tracker bardo for pablo ventures deep into the tribal side of axel libeert. right on time for all your summer dance gatherings. bardo is the state of existence intermediate between two lives on earth. it is an intermediate, transitional, or liminal state between death and rebirth.

second release of the new sub label from politics of dancing records, p.o.d cross, featuring label boys politics of dancing and their homies, d julz and oleg poliakov. another serious dance floor friendly 2 tracker cut for djs.

some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. on this release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s brazil - the tracks are picked by millos kaiser, one half of the brazilian duo selvagem, who are at the helm of throwing some of the country’s best dance parties. it’s a rare compilation that offers brazilian music actually picked by a brazilian.
this collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye-watering sums and that collectors spend years tracking down. they are the sort you’d find for a few quid should you come across but, as kaiser says, “the problem is finding them. they aren’t rare because everyone wants a copy but because no one wants them, not even the dealers.”

forging a distinctive sound in todays crowded techno landscape is no easy task. madrid based mario campos aka kwartz has grown his robust, propulsive sound into one of the most interesting and vital strains of modern techno. after notable releases for mord, warm up, pole recordings, and his own label ‘order & devotion’, we are excited to present a 6 track kwartz offering for horo.
purists will have their desires satiated with the driving, undulating title track and dancefloor favourite ’altered states of consciousness’ while the rest of the ep sees mario take his style into exploration mode. ‘beyond belief’ functions as an emotive centre point to the releases’ varied moods, while the off kilter static of ‘over a sign recognition’ and the writhing bounce of ‘recoil’ and ’frame dislocation’ complete the carefully sculpted form of the release.
‘body sedation’ works in a listening environment as well as it does on an open minded dance floor, and we can confidently say, it’s built to last.

1 copy per customer!! everybody s favourite parisian party fiends are back, polishing up another batch of patchy pound bin finds and not-on-discogs delights for your next summer soirée. putting their orange-eagle eyes to good use, the lyo crew have trawled the crates of europe and beyond for this sunkissed set, working the scalpel to the max to pack the dancefloor in arms aloft ecstasy. our party starts with the kwaito groove of -avidiyo--, a killer bit of late 80 s afro-action boasting synth marimba, alien bass blasts and life affirming vocal chants. not only is this cut moving in the ants-in-your-pants/dancing-like-a-madman sense, but its sting-on-safari emotion and clarinet solo could bring a tear to a glass eye. cartwheeling between aspirational jazz-funk and afro-cosmic, yanga mbiwaa makes its way to the heart of the party like a bewildered parisian at an ivorian wedding. as tumbling toms rumble like thunder on the serengeti, an oddball exotica chant encourages the nearby wildlife to shake a tail-feather to the club tropicana guitars and buzzing synthbass. at last you have something to keep quantum jump s lone ranger company! last but not least comes autoradio , a very well mannered monsieur living the french highlife by the sea and sun of the mediterranean coast. effervescent afrobeat guitars and swooning sax dance over a rolling rhythm section of buoyant bass and 80s percussion, while a spoken vocal drawls in your direction and the girls ask if you re ok. it s only when the pinging, ringing, madly modulated bass breakdown bounds through your surroundings that you ll wonder who slipped what in your drink...

in 1982, a group of friends deep into post-punk, jazz and dub got together in mad professors studio and lay down their youthful interpretation of a nyc disco cut. their unique take included trombone, vibraphone, piano, and an ital dose of tape delay. they called the song trouble and released two versions (vocal and dub) on their friend tony mcdermott s !drum! label with artwork inspired by russian constructivism. tip! . the group, comprised of justin langlands, chrysta jones, john schofield, tom dixon, and dave killen, decided to call themselves a-team, having no idea that mr.t and co. would make them almost totally ungoogle-able 30 years later. the result of their adolescent studio idealism sounds akin to otherdisco misfits like arthur russell, maximum joy, talking drums and wouldn t sound out of place on legendary nyc label 99 records. remastered with an extended club dub formaximum dance-floor action.

new year, new release for burnin music. after 2 strong eps in 2017 (ponty mython bm001 and leonidas +kay suzuki bm002) burnin music first release of 2018 features the first ep of an up-and-coming british artist called michael iwatsu also featuring a remix by german producer, soulphiction. fracture (original mix) is a 10 mins long journey. a beautiful odyssey between beats and harmony, between intuitive dance floor and subtle emotions. the main piano brings a perfect balance to the stomping house kick & drum. and as the journey continues, the trip develops leading to more sonic ventures. exciting, touching, pure, fracture (original mix) is a very balanced track. on the flip side, house music master soulphiction accomplishes the task to bring the track into a dark basement. his remix is a condensed version of everything that makes the original track an emotional one and also add a detroit twist: it becomes a raw, moody and very intuitive sonic object. a tool for the dancefloor.